The fonds consists of minutes, correspondence, and financial records of the Alberta Association of Art Galleries dating from 1980-1988.

The fonds consists of the operational records of the Alberta Community Art Clubs Association and includes bylaws, minutes, financial records, correspondence, show catalogues, survey responses, membership and mailing lists and newsletters.

Fonds consists of materials created, used, or received by the Alberta Craft Council in the course of its daily operations. Fonds consists of executive records, program and project files, as well as financial records.

The fonds consists of the records of the Alberta Society of Artists including meeting minutes of the Northern Branch, Southern Branch, annual general meeting, and the Provincial Council dating from the 1930s to 2000; membership and executive lists dating from 1931 - 2000; objects, by-laws, and the charter of the society dating from 1931 - 1996; financial records such as audits, receipts, and balances dating from the 1940s to 1990s, promotional materials related to exhibits such as brochures and pamphlets; materials documenting the work of the members of the ASA such as photographs, slides, negatives, and videos; correspondence dating from the 1930s to 2000; copies of the societies newsletter, Highlights, dating from 1948 to 1998; and oral history interviews conducted with members of the society dating from 1985 - 1998.

Series consists of files pertaining to the organization of the Annual General Meeting. Series consists of registrations and agendas for the Annual General Meeting as well as proxy forms for absent members.

Series consists of files pertaining to the Apprenticeship Pilot Project. Series consists of interview questionnaires, descriptions of apprentice positions wanted, funding applications, evaluations and project reports.

The fonds consists of material created and maintained by the Art Gallery of Alberta and includes programs from exhibitions held at the Gallery for the artists Harry Savage (1973), Glen Guillet (1973), and Chester and Bentham (1973). The fonds also includes artwork by artists featured at the Gallery including an oil painting by Thomas Adamson entitled "John A McDougall"; an oil painting by T. George Gates featuring the C.N.R. Station in Edmonton; a watercolor painting by M.A. Halloway entitled "20 Below" featuring Rossdale and South Edmonton; a mixed media painting by Hilda Mitchell entitled "Indian Cemetery at Winterburn"; a pastel by A. Ryland entitled "Bella Golden"; and an ink drawing by Dorothy Stevens showing the Chief Factor's house in Fort Edmonton. The fonds also contains a photo featuring the unveiling of the Father Lacombe Memorial in St. Albert in 1929; a panoramic photo of the city of Edmonton dating from 1909; and a map of the city of Edmonton dating from 1956.

The fonds consists of invitations, correspondence, concert programs, information about the Edmonton Art Club including membership lists, constitutions and catalogues, a Constitution and bylaws of the Women’s Canadian Club of Edmonton, an Edmonton Civic Opera Society’s Tenth Year Anniversary souvenir book, newspaper clippings about the Edmonton Art Club and about Bérangère Mercier, and a photograph of the first airmail flight from Calgary to Lethbridge, in 1931. Also included are an oil painting and a collage of Edmonton matchbook covers.

Series consists of files pertaining to the craft store opened at the Calgary 1988 Winter Olympics by the Alberta Craft Council. Series includes applications, presentations, Olympic manuals and specifications, correspondence, licenses, sales and marketing agreements, volunteer orientation package, ledgers, newsletters and other related materials. Series also includes reports and minutes from the Alberta Craft Council’s Marketing Committee.

The fonds consists of one series, the records of Sylvain Voyer, National Representative.

The fonds consists of the records C. Denys Cook, and includes his correspondence as the Alberta Representative of the Canadian Craft Council.

Fonds consists of a book entitled Historic Churches of Alberta and the Canadian Northwest, written and illustrated by Carolyn Reesor Kaufman, newspaper clippings, a poem, and a series of water colour sketches of Alberta churches painted by Kaufman.

The fonds consists of the records created by Celebration of Women in the Arts during the course of conducting its activities. The fonds is organized in the following two series: operational files with bylaws, minutes, correspondence, financial records, membership information and publications created or received by the society; and project files which present information on activities of interest to the society.

The fonds consists of records that were created during the course of Moses’ career as an artist and include catalogues, posters, and invitations for exhibitions featuring Moses’ work; magazines and newspapers featuring articles about Moses or exhibits in which her work was shown; project files; and audiovisual elements from select projects.

The project files contain artist statements, scripts, notes, and other planning documents for a variety of performance or installation pieces. The audiovisual records are sometimes one element of a wider work (e.g. slides or audio recordings) or constitute a complete work meant for screening in a gallery setting. Projects represented in these files and audiovisual material include Canciones de las Madres, OtterWoman Breathing, Not Suitable for Mature Audiences, Mubarakah, Pressure Pressure, Say It, and The Measure of Success.

There are also several monographs included in the donation that were either written by or feature Moses, including Health and Safety in Printmaking: A Manual for Printmakers, An Alberta Art Chronicle: Adventures in Recent and Contemporary Art, Cancer and the Art of Healing, and Performance au/in Canada 1970-1990.

Fonds consists of the personal records of Doris Pimm, as well as publications and other memorabilia that she has collected. The records in this fonds include correspondence, photographs, postcards, scrapbooks, newspaper clippings, and publications pertaining to the Alberta Potters’ Association, the Edmonton Grads Basketball Team, and ceramics in Alberta.

The fonds consists of 17 drawings of the University of Calgary and the University of Alberta dating from the 1960's created by Doug Haynes. The fonds also includes 11 photographs of the Deputy Ministers of the Government of Alberta Department of Public Works dating from the 1960's taken by Doug Haynes.

The fonds consists of notes on the history of the Edmonton Art Club, correspondence, newspaper clippings, exhibit programs, and a calendar, published by the Women's Committee of the Edmonton Symphony Society, featuring Len Gibb's artwork.

Fonds consists of colour pastel portraits of various individuals created to record the history of the Province of Alberta.

The fonds consists of a video cassette copy of Tea with Betty: A Visit with Pioneer Artist of the Peace, Euphemia McNuaght (1994) produced by Jim Nelson and narrated by Euphemia McNaught. In the video, McNuaght discusses her homestead, family history, and career.

Series consists of files pertaining to exhibitions including artist statements and biographies, transparencies of artists’ works, contact prints, exhibition catalogues, publicity and press releases, invitations and guest books, exhibition proposals and schedules.

Fonds consists of the family records of Frank and Ethel Norbury, and their two children Hubert and Esmé. The records include correspondence, photographs, service records, school records, newspaper clippings, compositions, and artwork. The fonds will be arranged into the following four series: Frank H. Norbury series, Flores “Ethel” Norbury series, Hubert and Marjorie Norbury series, and Helmer and Esme Hanna series.

Series covers Frank Norbury’s education, military service, professional career, artwork, and family life. It includes newspaper clippings, sketches, artworks, invitations, correspondence, report cards, school records, wills and estate documents, wedding cards, Artists Annuity Fund records, funeral arrangements, diaries, a marriage assurance, marriage records, overseas settlement records, Norbury Family crests, World War I diaries and field notebooks, military maps, awards, programs, Alberta road maps, and military designations. Photographs and negatives are of family, friends, army service, sculptures, and works of art.

Fonds consists of etchings depicting various scenes throughout Edmonton created by George Brown.

The fonds consists of a copy of a sketch by Giles H. Clark entitled "Headwaters of North Saskatchewan".

Fonds consists of contracts, budgets, correspondence, grant proposals, notes, promotional material, photographs, photocopies of research material, newspaper clippings, videotapes, audio recordings, digital photographs, and digital images of paintings for art curator Gordon Snyder's exhibit and book on artist Nicholas de Grandmaison which was mounted and published in 2007. Also includes proofs for the book and a copy of his published book, Drawn from the Past: Nicholas de Grandmaison and two framed lithographed art reproductions of Nicholas de Grandmaison pastels published by Last Arrow Ltd.: "Blackfoot Brave" and "Chief Coldweather". Videotapes include footage regarding the 1982 Glenbow exhibit "History in Their Blood" and a copy of de Grandmaison family home movies that are in the holdings of the National Gallery of Canada. Audio recordings include copies of audograph discs, for which the originals are held at the University of Lethbridge Art Gallery. These consist of interviews that Nicholas de Grandmaison conducted with portrait sitters, mainly First Nations people from the 1950s and 1970s. Audio recordings also include a copy of the CBC radio program "Faces Lit in the Dark" and original oral history recordings of Nicholas de Grandmaison and family members.

The fonds also consists of material is directly related to Snyder's work as a curator, artist, and gallery owner. There are negatives, slides, and .jpeg/.tiff photos that depict images of Snyder's work or the work of artists that were curated by Snyder in a gallery, festival, or touring exhibit. These images are identified with the name of the artist also noted and provide evidence of the role and work of a curator. Includes information about artists Maxwell Bates, Ralph Hedlin, Illingworth Kerr, F.H. Johnson, Nicholas de Grandmaison, and Clarence Tillenius.

There is also textual material (including files on the computer disks and on some of the CD-ROMs) that provides evidence of the working life of a curator and includes correspondence with artists and art dealers, drafts of program notes, printed programs that Snyder contributed to, and financial information that shows the business side of art management.

There are audiocassettes that feature recorded artist talks given by Les Graff and Andy Fabo about their work. Snyder had dealings with both artists and these talks provide informational value related to their work and further evidential value concerning the arts milieu.

Among these records, specific projects are particularly represented. These include major touring exhibits such as Through Alberta Eyes: The Photographs of Orest Semchishen, Snyder’s involvement with The Works International Visual Arts Society and its annual arts festival, and Snyder’s research of artist Illingsworth Kerr.

The fonds consists of administrative and operational records, and promotional material created by the Grande Cache Watercolour Society dating from 1999 to 2004.

The collection consists of ten color slides featuring the work of the original members of the Group of Seven including F.J. Johnson, F.H. Varley, Arthur, Lismer, J.E.H. MacDonald, F. Carmichael, Lawren Harris, and A.Y. Jackson dating from 1920 - 1928. The collection also includes two slides featuring work by Tom Thomson dating from 1916 to 1917. The date of the creation of the slides as well as the creator of the slides remains unknown.

Fonds consists of a personal reminiscence by H.S. Whitehorne and negatives depicting an illuminated address designed by H.S. Whitehorne and presented to His Royal Highness the Prince of Wales in 1919 by the City of Edmonton and Province of Alberta. Fonds also includes negatives dating 1909-1910 depicting a survey party surveying the British Columbia-Alberta border.

The fonds consists of a eulogy, birth registration, newspaper clippings, correspondence, diplomas, and memorial records of Harold Taylor Howard. The artwork is of buildings, scenery, designs, posters, book covers, flowers, and portraits. Photographs and negatives are of Harold in military uniform, flowers and gardens, singing groups, friends, and his 60th wedding anniversary. The handkerchief is hand-painted by Harold.

Fonds consists of the personal records of Hilda Crook and includes prize tickets for craft and art submissions in various exhibitions including the High River Exhibition, Big Valley Agricultural Association exhibition, Hays Agricultural Society exhibition, North Battleford exhibition, and Saskatoon Industrial Exhibition.

The fonds consists of oil paintings by George E. Hill of unidentified women and African wildlife; photographs and photographic postcards of friends and family, homes, stores, cars, horses and carts, lakes and rivers, churches, and views of Cold Lake; correspondence; photocopied news clippings; sheet music copied by Roma Hill with a cover by George Hill, and published sheet music.

The fonds consists of the operational records of Latitude 53 Society of Artists, and includes the following series: administrative records, financial records, correspondence records, promotional records, exhibit/show records, Edmonton Society of Photography records, Association of National Non-Profit Artists’ Centres poster project records and J.A. Irvine project records.

Fonds consists of the personal records of Lindsay Evans, which reflect his community activities and interests, and includes electoral lists for Earlie, Alberta, an instruction booklet for franchise officers, Alberta Wheat Pool member and delegate nomination lists, and a financial statement for Lloydminster United Municipal Hospital.

The fonds consists of textual, digital and audiovisual material created or collected by Mae Deans during her volunteer years with the Alberta Women's Institutes. The drawings were created in color by children during a Farm Safety educational event organized in 1998-1999 by the Alberta Women's Institutes, which later donated this material to Mae Deans. The drawings show strategies developed by the Alberta Women's Institutes to improve quality of life in rural Alberta.

The fonds consists of promotional material (posters, flyers, programs, etc.), budgets, financial statements, meeting minutes, grant proposals, bylaws, administrative documents, and promotional material from Mayworks events held across Canada. There are also records related to planning specific events such as the May Day march, the Day of Mourning, concerts, etc. The video and audio records consist of promotional material.

Fonds consists of unfinished pastel portraits by Nicholas de Grandmaison, negatives and photographs by Nicholas de Grandmaison consisting mainly of portrait sitters, brief biographies of portrait subjects, condition reports on many of the portraits with accompanying photographs, family home movies by Nicholas de Grandmaison, art brochures, Christmas cards made by de Grandmaison family members, and audio cassettes of family reminiscences, family meetings and CBC radio programs about Nicholas de Grandmaison.

The fonds consists of records related to the careeer of Normand Fontaine. It includes scripts of his shows, handwritten and decorated with drawings by him, from 1981-1983. Also included is a privately published collection of stories. The reel-to-reel audio tapes include recorded shows of ‘Les Normandises’, broadcast in 1986-1987. The scrapbook was given to Normand Fontaine to celebrate his 25 years milestone with Radio CHFA/Radio-Canada and includes photographs, congratulatory messages, as well as a number of original poems and drawings by Normand Fontaine.

The fonds consists of video master copies of separate productions created by Urquhart for ACCESS TV (two episodes of Career and Technology Studies, Virtually Seeking Information, English Everyday, and an episode of A Woman I Know) and one for Network One Productions (Canadian Skydiving Championship 1997).

The remaining tapes and textual records are from an unfinished documentary focusing on Canadian artist Attila Richard Lukacs. The tapes consist of nine original camera tapes on Betacam SP and duplicate copies of the camera tapes on VHS. The footage consists of interviews with Lukacs and images of the artist at work. The accompanying textual records consist of time logs for the tapes as well as proposals for the documentary, correspondence, and notes.

The collection consists images capturing Percy Biddell's art work as well images featuring Percy Biddell at his home in 1966. The fonds also includes notes on an interview with Percy Biddell in 1966.

The collection consists of an oil painting created by Phillip Tate in 1885 featuring a scene of the North Saskatchewan River Bank. The collection also includes a photograph and negative that the Provincial Archives of Alberta copied from the painting in 1997.

This series consists of photographs, negatives, lantern slides and transparencies of various subjects taken in or related to the northern communities of Canada in the Vice-Province of Mackenzie. The images were created or collected by the Oblates in the course of their administrative work or personal lives, and the records often reflect their secular interests. The breadth of the subject matter is immense and unique and documents many aspects of northern Canada and its peoples. Subjects may include Oblates and sisters in the various communities, missions, religious events and activities.

The images show communities and activities and include local landscapes, indigenous camps, missions, waterways, fauna, fishing, churches and buildings, indigenous people and families, bands and orchestras, transportation, hunting, fur trade, trapping, colleges and schools, Indian residential Schools and students, museums, sports, industries and farming.

The subjects also focus specifically on the various communities the Oblates served in the north, including: Aklavik, Fort Chipewyan, Fort Norman, Fort Rae, Fort Resolution, Fort Simpson, Fort Smith, Inuvik, Yellowknife, as well as many other communities. There are many images of artists’ work at Holman (now Ulukhaktok) on Victoria Island, a cooperative the Oblates, specifically Henri Tardy, were involved in.

The fonds consists of administrative records, financial records, correspondence, educational and development tools and resources, project files, studies and evaluations, grant applications, minutes of Management Board meetings, membership lists, AGM reports, organizational chart and bylaws, press clippings, and digital photographs and video recordings related to RAFA’s events.

Fonds consists of records pertaining to Guest’s personal life, as well as records reflecting his interests and his involvement in different organisations. These records include daily diaries, correspondence, minutes for different organisations, newsletters, photographs and personal drawings. The fonds has been divided into the following series: Personal papers; Canadian Wolf Defenders; Alberta Society of Artists; Peace Watercolour Society; Hinton Trail Project.

Fonds consists of records relating to Campbell’s work as an artist including a number of watercolour paintings and an etching created by Campbell, records pertaining to various art societies to which Campbell belonged, newspaper clippings and correspondence. Fonds has been divided into two series: Textual records and Works of art.

Fonds consists of cartoons drawn by Sid Barron for the Albertan newspaper in Calgary, Alberta.

The fonds consists of photographic images that depict de Grandmaison from the 1910s to the 1980s in several locations. There are also portraits of de Grandmaison with friends and family over a similar time span. The remainder of the photos depict de Grandmaison's sculptures and work studio, including some images of de Grandmaison at work.

The fonds also consists of textual material that includes a history of the Dournovo family from their time in Russia until their immigration to Canada, other genealogical information, programs from de Grandmaison's shows and unveiling ceremonies of her public works, correspondence (including with prominent figures such as Pierre Trudeau and Peter Lougheed), and legal documents such as de Grandmaison's Russian birth certificate, certificate of Canadian citizenship, and passport.

The fonds consists of Studio ’71 Art Club (Bon Accord)’s operational records, and include by-laws, annual summaries, and event reports. The records relate to the art classes, exhibits, and shows that the Club was involved in, and include membership lists, artist profiles, and artwork summaries. As well, the fonds contains some newspaper clippings, flyers, and informational pamphlets about the Club’s activities and the interests of its members.

The fonds consists of the personal records of Sylvain Voyer and include correspondence, a cashbook, newspaper clippings, photographs of art, programs and notes, and one series, Alberta Art Foundation records.

The fonds consists of military service and personal records of Dr Thomas Erwin (T.E) Brown, a veteran of both World Wars and a doctor in Taber and Lethbridge. Records include Brown’s military notebooks, ration books, field notes and correspondence; an account book from Brown’s medical practice in Taber in the 1930s and pamphlets relating to pediatric medicines; photographs of Brown’s family; and a sketchbook with Brown’s drawings of his home and family.

Fonds includes executive records, financial records as well as the work of the committees. Fonds consists of minutes of meetings, membership and mailing lists, reports, scholarship awards and evaluations, tax returns and registrations, press releases, newsletters, and records pertaining to social events and activities like the Christmas Fair.

The fonds primarily consists of 24 oil paintings, painted from memory and photographs by Viola Martin specifically for the Provincial Archives of Alberta and donated to the Archives as the Burton Memorial Collection; the paintings are of various homes and scenes at Burtonsville, Waterways and Alberta Beach from the lives of Vi’s parents, Cornelius and Louise Burton.

The fonds also includes descriptions and photographs of the paintings, a publication about Burton family descendents (The Burtons of Black Cape and their Descendents), newspaper clippings about Cornelius and Louise Burton, a small published booklet entitled The Gaspé with sketches by Vi Martin, a poem about Cornelius and Louise Burton, photographs of the Burton family and places of importance to the family, certificates for the Bituminous Sand Extraction Company, Limited and the publication Incidents in the Life of John L. Sullivan and Other Famous People of Fifty Years Ago.

Fonds consists of copied photographs depicting an iconostasis in the St. John Ukrainian Orthodox church that was designed and painted by Wadym Dobrolige.

The fonds consists of minutes, mailing lists, membership lists, correspondence, promotional material, and newsletters of the Western Canada Art Association dating from 1970-1980.