The fonds consists of films, videos, photographs, negatives and production files for Ken Jubenvill’s productions, many of which were produced for the Alberta government. The film productions include approximately 700 film cans of original film elements such as original colour reversals, internegatives, sound tracks and outtakes. Some titles included in this fonds include Let Music be the Message (1981) - Calgary Youth Orchestra; Breaking the Sand Barrier (1979) – Syncrude Canada; Grande Prairie - A Way of Life (1981); and Snowbirds (1989). The textual records include production files for Jubenvill’s television and documentary work, including for projects such as Mysterious Ways, The Great Road, Beachcombers, and co-productions with the Vancouver Police Department (Tears for April, Riding with Madonna, and Stolen Lives). These files include scripts, contracts, correspondence, and edit lists. The audiovisual records include master copies of Jubenvill’s television work, including episodes of Beachcombers, Danger Bay, Airwolf, North of 60, and others. There are also master copies as well as camera tapes and audio recordings of the documentary The Great Road, a production commemorating the 50th anniversary of the construction of the Alaska Highway that featured Leslie Nielson. These camera tapes include interviews with people involved in the construction of the highway as well as footage of 50th anniversary celebrations. The photographs and negatives are production stills of Jubenvill’s television and documentary work as well as production stills from the Alberta-based shoot of the feature-length film Superman III.