Affichage de 8 résultats

The fonds consists of records relating to the life and works of Reta Rowan and includes correspondence, music programs, a Junior League of Nations Society program, a Peace Conference program, poems, and correspondence relating to her involvement with the Friends of the Indians Society.

The fonds consists of VHS and ¾” videotapes, 16mm and 35mm film release prints and film elements, ¼” reel to reel and cassette audiotapes and textual material regarding film productions that Marke Slipp worked on, mainly as film editor. Some of the productions include My Partners My People, Get Back the Night with Alberta singer/songwriter Connie Kaldor, Learning With Love about the Alex Taylor School in Edmonton, Sylvan Lake Summer, and Truckers: A Road Well Travelled. Also included are the film elements for the unfinished production, A Poet of Place, regarding architect Douglas Cardinal.

La série comprend des enregistrements créés ou collectionnés par les oblats de la Vive-province de Mackenzie, des Territoires du Nord-Ouest et de l’Arctique. Le matériel est constitué des enregistrements professionnels ou amateurs des évènements dans diverses communautés autochtones, incluant : des films personnels, diverses communautés, des missions, écoles et écoles résidentielles, des évènements et activités religieux.

Les enregistrements comprennent des pèlerinages, des carnavals, des sœurs, des infirmières et couvents, des bâtiments locaux et des hôpitaux, des écuries, des encampements, des individus et familles locaux, des communautés, l’industrie du bois, la transportation, des sports, ainsi que des autochtones du nord canadien.

La série comprend des enregistrements créés ou collectionnés par les oblats de la Province Grandin, liés principalement à l’Alberta, le Saskatchewan et l’Arctique. Le matériel est constitué des enregistrements professionnels ou amateurs des évènements comme : des anniversaires, des cérémonies d’ordination et pris de vœux, des activités de Noël, des conférences, des pèlerinages, des funérailles. Les sujets documentaires incluent la forêt, les inuits, les dénés et les cris, des oblats, Castel Mountain, ainsi que des cultures et des peoples autochtones de l’Alberta et du nord. En outre, il y a des enregistrements de messes et du programme « Reflections ».

La série comprend des enregistrements créés ou collectionnés par les oblats de la Province d’Alberta-Saskatchewan, liés principalement à l’Alberta, les Territoires du Nord-Ouest et l’Arctique. Le matériel est constitué des enregistrements professionnels ou amateurs des évènements dans diverses communautés autochtones, incluant : des messes, des célébrations des vœux et ordinations, des activités de Noël, des mariages et des funérailles.

Les enregistrements comprennent des sports et activités de plein air comme hockey, pêche, traîneau à chiens, randonnée en raquettes et motoneige. Les films présentent des sœurs, des étudiants, des infirmières, des bâtisses et hôpitaux locaux, la transportation, l’infrastructure, des autoroutes, des lacs et bateaux, ainsi que des individus et des familles de Premières nations et des aspects de leurs communautés.

The fonds consists of records from Gil Cardinal’s independent and freelance projects; the film companies co-founded by Cardinal (Great Plains Productions, Kanata Productions, Strange Empire Productions); and his work for NFB, BBC, or other broadcasters.

The textual materials contain the complete business records of Great Plains Productions, creative records for specific projects (including scripts, notebooks, shot lists, story boards, and editing notes), administrative records for specific projects (including contracts, financial records, grant applications, and correspondence), developmental records related to unrealized projects, and personal records (including correspondence, speaking notes, speeches, and teaching material).

The films consist of home movies from Cardinal’s foster family (some of which were used as part of Foster Child); a tour of the Canadian Museum of Civilization with its architect, Douglas Cardinal; and release prints of Foster Child.

The videocassettes consist of original shooting tapes and completed masters of several projects. Most prominent among these are My Partners, My People, Our Home and Native Land, The Great Possibility, and David with F.A.S. There are also masters, but not shooting tapes, for several other projects including Big Bear, Chiefs (for both episodes directed by Cardinal), Totem, and others. Some of these masters are on DVD as well as videocassette.

The photographs, negatives, and slides consist of images shot by Cardinal during the course of filming, images of special events, and family photos.

The fonds contains ten sets of tapes of oral history interviews conducted by Jerry Puckett. Interviewees include Mr. G.R. Davis, Allan Gibson, Hope Johnson, Gladys Reeves, Hugh Dempsey, Howard Kelly, Bill Wuttunee, Andy Russell, and Frank Anderson. The interview with David Melting Tallow and George Crowchief includes the nature of Blackfoot artifacts, relationships and rivalries with the Cree, dances, ceremonies and protocols of religious significance, and attempts to preserve culture. This interview was not aired during the original series.

These interviews were originally recorded for use in the program “Puckett’s General Store” from 1972-1973 on CFAC-TV Calgary (now known as Global Calgary). This show had 26 total episodes. The video versions of these interviews were deposited with the TV station while the audio tapes were copied for use at the Provincial Archives of Alberta in 1973.

The fonds consists of audio tapes of interviews with seventeen First Nations elders who were interviewed between May and August of 1996. The interviews were conducted by Rhonda DeLorme of Alberta Aboriginal Affairs. The negatives and photographs depict the elders interviewed and there are labels printed on the backs of the photographs. Some of the elders interviewed include Josephine Crowshoe, Rita Auger, Joe Crowshoe, Ruth Bad Eagle , Tom Crane Bear, Wallace Mountain Horse, and Evelyn Thunder, among others.

In the recordings, the elders speak about their own family histories, traditions and celebrations from their home communities, and values. Several also related stories that had been shared with them and spoke of how resources from the land and animals were used in their communities. Many of the elders also spoke about their experiences while attending residential schools and other impacts that settler society had on their way of life (including world wars, treaties, and industry).

These interviews took place in the Bigstone Cree Reserve, Whitefish Lake First Nation, Loon Lake First Nation, Woodland Cree First Nation, Brocket, Siksika Nation, Dene Tha’ Reserve, Blood Reserve, and Alexis Reserve.