The fonds consists of a musical recording and VHS video production of “Proud to Be Métis” (Métis Nation Anthem) produced by Métis Nation Music Ltd. in 1991.
Sem títuloThe fonds consists of records from Gil Cardinal’s independent and freelance projects; the film companies co-founded by Cardinal (Great Plains Productions, Kanata Productions, Strange Empire Productions); and his work for NFB, BBC, or other broadcasters.
The textual materials contain the complete business records of Great Plains Productions, creative records for specific projects (including scripts, notebooks, shot lists, story boards, and editing notes), administrative records for specific projects (including contracts, financial records, grant applications, and correspondence), developmental records related to unrealized projects, and personal records (including correspondence, speaking notes, speeches, and teaching material).
The films consist of home movies from Cardinal’s foster family (some of which were used as part of Foster Child); a tour of the Canadian Museum of Civilization with its architect, Douglas Cardinal; and release prints of Foster Child.
The videocassettes consist of original shooting tapes and completed masters of several projects. Most prominent among these are My Partners, My People, Our Home and Native Land, The Great Possibility, and David with F.A.S. There are also masters, but not shooting tapes, for several other projects including Big Bear, Chiefs (for both episodes directed by Cardinal), Totem, and others. Some of these masters are on DVD as well as videocassette.
The photographs, negatives, and slides consist of images shot by Cardinal during the course of filming, images of special events, and family photos.
Sem títuloThe fonds consists of production files for various projects undertaken by Reel Girls Media. These projects are as follows:
SciQ: Up Close and Palaeo: a one-hour, children’s program shot at the Royal Tyrrell Museum in Drumheller that focuses on palaeontology. The records include masters, b-rolls, and interview transcripts.
Stories from the Seventh Fire: a half-hour, animated, children’s series featuring Indigenous performers such as Tantoo Cardinal and Gordon Tootoosis narrating several First Nations stories and legends. The records include DVDs and the original masters.
Booked: a half-hour series in which book reviewers and criminal justice professionals discuss a prominent mystery novel. The records include masters and DVDs.
Out of the West: a one-hour documentary featuring interviews with several western Canadian authors. The records include masters, shooting tapes, and production files.
Between the Stones and the Ocean: A Portrait of Rudy Wiebe: a one-hour documentary about western Canadian author Rudy Wiebe. The records include shooting tapes and masters.
Capturing Cooperman: A Not So Private Investigation of Howard Engel: a one-hour documentary about Canadian mystery author Howard Engel. The records are limited to the masters.
WildFiles: a half-hour, children’s series that focuses on animal biology. The records are limited to production files.
Return of the Peregrine: a one-hour documentary about conservation efforts to restore peregrine falcon populations across Canada. The records include shooting tapes and interview transcripts.
Homefront: a one-hour documentary that follows the stories of several Edmonton-based soldiers and their families during deployment to Afghanistan. The records are limited to masters.
How the Fiddle Flows: a one-hour documentary that traces Métis culture and history through music and dancing. The records are limited to masters.
In addition to these completed projects, there are several non-completed projects that are also captured in the records. These projects were started by Reel Girls but never broadcast or distributed and include the following:
Return of the Bison: a potential documentary that would have focused on conservation efforts to restore bison populations across the world. The records include shooting tapes and production files.
A to Z Film Guide: this potential series would have focused on various roles within the film industry as an educational tool. The records are limited to pre-production files.
Rock ‘n’ Fossil Road Show: this potential series was modeled on Antiques Roadshow and would have featured rock and fossil collectors consulting with experts about their collections. A pilot was completed but the series was not pursued. The records include pre-production files.
Sem títuloThe fonds consists of project files and master versions of productions created by The Image Works for multiple clients. The productions include A Taste For Trade (concerning alternative trade organizations in East Africa), Scraping the Surface (concerning Writing-On-Stone Provincial Park), Native Art: Woodland Cree, Keep It Moving (concerning waste management), River of Joy (a celebration of 1,000 years of Ukrainian Christianity), Our Own Voice (concerning development in Nepal), multiple projects concerning crime and corrections made for the John Howard Society, multiple projects concerning the boreal forest region of Alberta, Hockey Night in Harlem (a documentary about hockey in Black communities in Harlem, New York City), promotional projects on behalf of the Government of Alberta, and interviews with Métis elders conducted at Fort Calgary among other projects.
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