The fonds consists of 16 Black and White photographs, with the Cree peoples of Maskwacis are the predominate subject matter. Subjects include portraits, the Sun dance and the demonstration of traditional tools. Identification has been written on the back of the photographs. The photographs appear to have been used as promotional material for the Hudson’s Bay Company. For example, the photograph described as “Sun Dance,” Hobbema, Alta, Exterior of Sacred Shrine” is used in an article in The Beaver as “Shrine for Sun Dance” (John Prest, “Cree Sun Dance at Hobbema,” The Beaver, November 1923). Four of the photos which are numbered in series one to four and provided lengthy captions are photos that were taken as part of the filming of “The Last Frontier.” These photographs appear to have been taken by Philip H. Godsell (For further information see Associated Material).

The fonds consists of a booklet entitled, "A Historical Perspective of Pigeon Lake Reserve #138A" written by Casey Rowan and Rik Yellowbird in 1993.

Contents of the file include an historical and commemorative account of the Reserve’s history, notes on the Rundle mission, surrender of the land near the Village of Mameo Beach, and a list of the original families of the reserve. It also contains information on mineral resources and issues, leadership then and now, a vision for the future, the Pigeon Lake Satellite Health Unit, and leadership of the four bands of [Maskwacis] Hobbema (Samson Cree Nation, [Montana First Nation] Montana Band, [Ermineskin Cree Nation] Ermineskin Band, Louis Bull Band). The publication also contains a bibliography at the end and images throughout.

The fonds consists of photographs of Scotty Murray, dignitaries from various bands, scenes in Gleichen and other locations, and various members of the bands that Scotty worked with. Textual records include reports, minutes, and regulations drafted or used by Scotty in his work with the [Maskwacis] Four Bands and other administrative areas of responsibility.